Sekilas Sejarah Wayang Di Indonesia

Wayang puppet comes from the word that is the source of inspiration in the form of drawing characters and stories that can be reflected clearly in the mind of the draftsman as the original source has been lost, in the beginning, puppets are part of the worship activities of religious animism 'hyang', that's what it was based on, in times of harvest or in the form of ceremony taneman Ruwatan, Tingkeban, or 'Merti village' for successful harvest or even for the village to avoid any mala (still remember the play 'sudamala', right?)in the year (898-910) M has become a puppet puppet prototype but still devoted to the worship of sanghyang as written in the inscription balitung sigaligi mawayang make hyang, Bhima macarita yes Kumara (his translation kasaran roughly like this: hold a puppet for the Hyang tells the story of the Kumara bima) at the time of Hindu Mataram, the Ramayana of India had written in the language of ancient Javanese (Kawi) during king Darmawangsa, 996-1042 AD

Speaking Sanskrit Mahabharata eighteen parwa assembled into nine ancient Javanese language parwa ago arjuna Wiwaha successfully prepared by mpu kanwa in the king Erlanduntil the time of the kingdom and the king of Kediri Jayabaya mpu sedah began compiling fiber bharatayuda ago settled by mpu panuluh not satisfied with that alone, and arranges panuluh mpu hariwangsa fiber and then fiber by fiber Centhini gatutkacasraya, the one who ordered the Jayabaya write to rontal (leaf manuscripts, arranged like the blinds, put together with rope) in the Early majapahit jawi puppet drawn on paper (I also do not know, what does 'paper jawi' it) and is equipped with various ornaments clothingearly period of ten centuries we might call a one-to-ground phase of globalization Javaanimistic belief began to be shifted by the influence of Hindu religion that makes' naik' his prestige leaders' god 'who now' placed 'above' hyang '

Twelfth century until the fifteenth century was a time of 'secularization' of the puppet stage to begin the formulation of various mythos has glorified the king as a direct descendant of the gods fifteenth century was the commencement of phase two is now globalization Javanese cultural influence of Islam that began to seep unnoticed and in the early sixteenth century stand Demak kingdom (1500 - 1550 AD) was a lot of puppet rule that clashed with the teachings of Islam then raden broken puppet ordered to change some rules that immediately executed by the trustee in gotongroyong wayang beber prabangkara work (majapahit era) immediately cooked and again made from buffalo leather diluted (in the kingdom of Demak period, cows should not be withheld to respect the Hindu followers are still a lot to prevent riots berthema sara...)

Images are made sideways, hands extended, digapit with buffalo horn amplifier, and disimping sunan bonang dramatika structuring his Sunan prawata add giant figures and monkeys and also adds some scenarios raden story broke adds character and puppet elephant prampogan Sunan Kalijaga change means that initially show of timber is now made up of banana stems, blencong, puppet box, and mountains

Sunan sacred duty to goto the mastermind 'mysticism' are preserved, and coupled with the lost interest and Saut-adha adha Trenggana sultan during the sweetened form another puppet eyes, mouth and ears began ditatahkan (previously described only in a thin skin of water buffalo) Susuhunan single queen, the sultan Trenggana replacement, not to be outdone he created a model eye and thelengan liyepan (Joan Crawford was supposed to pay royalties on him, ya!)other than the queen puppet purwa also raises gedhog puppet who only held in the palace alone environment

As for the consumption of ordinary people sunan bonang arrange puppet kingdom era Damarwulan display gives the new hallmark gedhog puppets and shadow puppets from carved three-dimensional (starting no indentation on the inlay) more organized form of puppets: the king and queen wearing a crown / topong the knights began to styled hair , wearing Praba and also began to be added and the cloth pants
In this era too is holy sunan introduce a wooden puppet show was Sunan Kalijaga arrange puppet mask from the stories of the wayang puppet Gedog Gedog thus were already popular in the community outside of keratin in the puppet's growing Islamic Mataram
Panembahan Senapati add various figures of birds and forest animals and the more finely carved puppet hair great sultan anyakrawati added element of motion in the shadow puppet shoulder, elbow, and wrist joints puppets start given the position of the hand-shaped 'nyempurit' with the existence of this innovation appears also a new character: cakil , a giant figure slender very agile and nimble anyakrakusuma great sultan, his substitute, contribute increasingly copied and eye shape in some of the characters made a few syllables (form)
After all was completed, created a new character like a giant red-haired bertaji nail came to be called 'blind Prapatan' or 'blind rambutgeni' (hms note: could this have anything to do with the establishment of the VOC in 1602?) A variety of innovations and their puppet-re still ongoing from the Islamic Mataram era until todaya.l. with the emergence of ideas 'nyeleneh' the dhalang various electronic equipment began to come into play in the stage and the gamelan as well as in grammar clothing worn by ki dhalang, singer, and the interpreter musicians in his case scenario was always there is a shift so today's increasingly difficult to be judgedWhich story 'standard' and where 'carangan' (the story of the origin of semar, for example, there are several versions of which are all worthy to be studied)




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